Polymer Clay Fan

We know how difficult it is to come up with new and yet inexpensive ideas for classroom art projects. Our staff is always on the alert for great new ideas (if you have any, let us know! We are always adding to our library of free downloadable lesson plans). Our art lesson plans are either in PDF format or PowerPoint presentations, and they can be downloaded absolutely free. For elementary school students there are easy-to-follow explanations of lithography; portrait sculpture in clay; dinosaur bone clay relief sculpture; polymer clay bead making; prehistoric cave art; and even making clay skulls to celebrate Mexico’s Day of the Dead. For high school students there are more advanced art projects such as multi-color printing; sculpting insects with polymer clay; relief sculpture; making reproductions of Chinese vessels in bronze; sculpting life sized heads and ceramic self-portraits. There is also an Introduction to Glass in the Classroom; making fused and slumped warm glass objects d’art; glass casting; and glass jewelry making. Read the rest of this entry »

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Sculpting a back can be a little tricky and I’ve always found it to be a bit challenging as well. There are a lot of different muscles and bones that make up the back and more importantly the shapes they create come and go into all different directions. Now sculpting a back with more body fat on it would decrease the difficulty but I prefer designs of a leaner physique. However, the key with this sculpture is to not go too lean on the back because it will not flow well with the rest of the design.

I have already sculpted a rough shape of the back when I blocked out the torso. Now I need to tie the individual muscles together while trying to make it look natural. Using a sharp sculpting tool I like to draw out some of the individual shapes. Basically I’m trying to break out the scapula, traps and lower lats into different basic shapes. Once this stage has been completed I will build out the individual forms. Read the rest of this entry »

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OK, for this lesson I will briefly cover the steps for blending the small round scars. I like to first layout my design before blending the shapes into the rest of the sculpture. The reason why is because if my spacing is off or I don’t like the way the design is taking shape I can easily make changes. Otherwise I would have to scrape away clay, smooth out the belly and start over.

Once I have everything where I want I just take a flat edge sculpting tool and blend the edges of my small ball shaped scars. The key is to make sure you blend all of the edges. To accomplish this I like to look at the sculpture from all kinds of angles. It is amazing how a sculpture changes when you look at it from a different angles, everything may like fine from one end while when you look at it from the other end all kinds of mistakes or imperfections appear. The same point holds true when painting a sculpture but that is another tutorial in itself. Read the rest of this entry »

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In this next tutorial I will walk you through the steps for sculpting a belly button. Belly buttons are actually made up of interesting shapes and there really is a lot more to sculpting them then just creating a hole inserted into the clay. Now belly buttons come in all types of shapes and designs but there are some traits that are common in most belly buttons. For instance there are small folds of skin in and around the belly button. Also, if you look closely the design and shape of the stomach also changes around belly buttons as well.

Because belly buttons come in all kinds of shapes and sizes there are many different types of belly buttons that you can sculpt. Keep in mind that this tutorial is just one example of how a belly button can look. So use this tutorial as one option for sculpting a belly button and see what designs you can come up with. Read the rest of this entry »

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Caliper

If you ever plan to sculpt anything that is symmetrical in design then a caliper is a must. Calipers are an important sculpting tool because they help you accurately measure of length, width and distance of the different pieces that make up a sculpture. There may be some sculptors out there that can accurately sculpt a symmetrical design by sight alone but for us mere mortals the caliper is a must have tool.

If you have been sculpting for some time and do not own a caliper, there is a very strong chance that at one time or another you still have used a very crude and basic caliper tool. What I’m talking about is your thumb and index finger. Have you ever sculpted an arm on one side of the body and use your thumb and index finger to measure the length so that you could accurately match it to the arm on the other side of the body? How about when you sculpt a face or a torse, are you like me and draw a center line seperating the object into two? Did you ever use a string, a ruler or your fingers to check that both halves of the face or torso were even in both the width, length and thickness?

If you answered yes to any of these questions then you have turned your thumb and index finger into a very crude caliper. The problem with the “homemade” version of caliper is that it doesn’t always provide the most accurate results. A professional caliper eliminates the guessing game and gives the artist the ability to take measurements with ease.  Unlike some of the other tools that are required for sculpting, this is really only a onetime investment.  You wont use it all the time but it is a real gem in those situations when an accurate measurement is needed. Read the rest of this entry »

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What is Polymer Clay

Polymer clay is a material you can sculpt. It is based on polymer polyvinyl chloride (PVC) material. It usually contains no clay minerals and is only called “clay” because its texture and properties resemble mineral clay. Polymer clay is sold in craft, art and hobby stores. It is used by artists, hobbyists and children.

All polymer clay brands include PVC and one or more liquid plastic. Pigments may be added to the base to create colors along with small amounts of kaolin or white china clay. Mica may also be added to make a metallic looking clay.

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There are several different ways that I could approach sculpting the scars on my sculpture and no one way is really better than the other. Since I’m working with polymer clay, Super Sculpey to be specific, the easiest approach in my opinion is to roll out snakes of clay and remove the unwanted pieces. If I was working with wax I may take a different approach such as adding small balls of wax one at a time but I would have to experiment first before confirming.

* Note: I’ve blocked out parts of the sculpture in case anyone is sensitive to nudity. Once I’m finished I’ll add a link to an uncensored picture of the sculpture for anyone that wants to see the complete design. This will be done at the end of the tutorial and for now I’ll just censor the pics as needed. Read the rest of this entry »

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If you have followed any of my other projects then you have most likely noticed that I like to jump around a lot when I sculpt. For me this keeps things fresh and also keeps me from hyper focusing on just one area (the Fiddler sculpting series is a great example this).

In the last lesson I covered how I sculpted the skirt for my African woman, in this lesson I will go into how I created the details for the hair. The hair is actually pretty simple for this piece but once done has a really nice effect. Since I’m adding a scarf around her head I only need to focus sculpting the hair for a small portion of the head, the rest will be covered by the scarf. Read the rest of this entry »

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In this tutorial I will go into more detail on how I created the textures on the skirt. Keep in mind that I got the idea for the design of the skirt from looking at various pictures of African women on the web. Most of my research was from images that the search results produced from the keyword “African scarification”. During my research I found several images where the skirt just seemed to overlap itself in various places around the woman’s legs. The design appealed to me, in some respects it was very simplistic but the design in the images still seemed to draw me to the beauty of the woman in the photograph. I really liked this design and wanted to incorporate it into this piece.

The skirt’s shape is really simple, just roll out sheets of clay in the pasta machine and wrap then along the legs of the sculpture in various stages. Once that is achieved I used my wire brush to scrape lines into the dress. I applied various pressure using the wire sculpting tool so that some of the lines were deeper while others were kind of shallow.

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My kids and I recently went fishing and while my youngest was unable to catch fish, he did manage to find a beer bottle covered in barnacles (he’s six btw). I can already feel the “deer in the headlights look” as you are probably staring at the screen wondering what in the world does a barnacle covered beer bottle have to do with sculpting. Well, while most people probably would have discarded the bottle, I on the other hand was drawn to it.

Most of the reference material that I use when I sculpt is a collection of the different images that float around the web. In most cases this works out pretty well for me. At times it takes hours and even days of research but for the most part I seem to find enough reference from Google Images to allow me to work out the forms and details on my artwork.
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